Works which will be taught by the faculty:

Suzanne Stephens (clarinet, basset-horn, bass clarinet)
and Kathinka Pasveer (flute, alto flute, piccolo)
will be teaching all Stockhausen works composed for their respective instruments.

Marco Blaauw (trumpet, piccolo trumpet, flugelhorn): ARIES,TIERKREIS, IN FREUNDSCHAFT, MICHAELS-GRUSS, MICHAELs REISE, HALT, MISSION und HIMMELFAHRT, VISION, OBERLIPPENTANZ, PIETÀ, TRUMPETENT, MICHAELION, BASSETSU-TRIO,QUITT, LICHT-BILDER, HARMONIEN.SCHÖNHEIT, ERWACHEN

Michael Pattmann (percussion): SCHLAGTRIO*, ZYKLUS, REFRAIN*, KONTAKTE*, NASENFLÜGELTANZ*, KOMET, VIBRA-ELUFA, MITTWOCH-FORMEL.

Frank Gutschmidt (piano): KLAVIERSTÜCKE I–XIV, MANTRA, EXAMEN, STOP and START, SONNTAGS-ABSCHIED, NATÜRLICHE DAUERN.

Hubert Mayer (tenor): TIERKREIS, KINDHEIT, MONDEVA, EXAMEN, DRACHENKAMPF, ARGUMENT, VISION, DIE 7 LIEDER DER TAGE, MICHAELION, LICHTER–WASSER, ENGEL-PROZESSIONEN,DÜFTE–ZEICHEN, LICHT-BILDER, HIMMELFAHRT, JERUSEM.

Antonio Pérez Abellán (synthesizer and piano): SYNTHI-FOU (KLAVIERSTÜCK XV), KLAVIERSTÜCKE XVI, XVII (KOMET), and XVIII (MITTWOCH-FORMEL) , NASENFLÜGELTANZ*, HIMMELFAHRT and all other works with synthesizer; REFRAIN*, KONTAKTE*, NATÜRLICHE DAUERN.

* These works will be taught jointly by Michael Pattmann, Antonio Pérez Abellán.

Interpreters are requested to indicate the works prepared. The faculty is willing to assist participants in preparing themselves for course attendance ahead of time. Interpreters will receive the respective faculty address after they have registered for participation.

INORI-gestures (Instructor: Alain Louafi) Due to the special significance given to the synthesis of music and gesture in Stockhausen’s works, the gestures from the composition INORI (1973–74) are rehearsed in this course. The course takes place each morning before the master classes and other events of the courses and is open to all interested participants.

Sound projection (Instructors: Kathinka Pasveer, sound projectionist; Igor Kavulek, sound engineer) The Center for Stockhausen Space Music offers a course for sound projectionists, sound engineers, musicians and music lovers which conveys information concerning aspects about the sound equipment and its set-up which must be taken into consideration when performing Stockhausen’s electronic, vocal and instrumental works. Practical experience in the technical aspects of sound projection takes place in the context of the daily rehearsals and concerts.

Intuitive Music (Instructors: Ensemble für Intuitive Musik Weimar – Michael and Matthias von Hintzenstern, Daniel Hoffmann, Hans Tutschku) Since 1980, the Ensemble for Intuitive Music Weimar has
dedicated itself to the interpretation of Stockhausen’s intuitive music. In this seminar it deals with the special demands made on the interpreter by this group of works.

Seminars and open rehearsals
To supplement the concert programs, daily seminars about various individual works or general themes take place, in addition to open rehearsals; for example FREUDE (Marianne Smit and Esther Kooi) POLE / EXPO / SPIRAL (Michael Vetter, Natascha Nikeprelevic) STIMMUNG (Wolfgang Fromme and Forum Neue Vokalmusik) MIKROPHONIE I (Michael Pattmann) “How to teach Stockhausen?” (Suzanne Stephens, Georg Henkel, Juan Verdaguer and others)

Musicological-analytical seminars (Rudolf Frisius, Jerome Kohl, Imke Misch, Sean Williams, and others)

The language spoken in the courses is English.